Meet the Staff!

Season’s Greetings and Happy Holidays, MM-ites!

Have you ever wondered who’s behind the madness? The names to those people who, from the shadows, run this comic conglomerate? Well wonder no more! Allow me to illuminate, elucidate, and pontificate on those who make this manga machine move!

Founders
Victor
Victor is one of the co-founders of MangaMagazine.net. He’s easy to contact — so easy in fact, that he even holds office hours in the MM Unofficial Chatroom (Every two weeks on Monday, 9pm-11pm EST)! If you have any feedback, comments, or questions about MM, he’s the guy to know.
Bancha
Bancha is a Co-founder of MangaMagazine.net and heads the development team. Without him and his crew of expert coders, MM would wither like… like… something sad that withered.
Community Managers
Powil
Everybody knows Powil. He manages the Facebook page, Twitter, Reddit, and more social networking streams than I care to even think about. He’s very active in the community at large and always willing to lend a hand… or an ear… or a pair of eyes… to whatever the community needs them for. Quite the generous Jack-of-all-Trades!

Let’s Give a Big, Warm, MM Welcome to THREE NEW COMMUNITY MANAGERS!
Ashikai
As MM’s resident comic stalker and comment sniper, Ashikai is in charge of managing the MM blog (interviews, features, news and more!), as well as several other odd jobs that need doing. She’s a member of the MM Sponsored Podcast “Screentones” (broadcasting live every Tuesday at 3pm EST) and also draws the featured manga, Shamrock. Why am I talking in third person? I’m writing this blog!
Rogo
The butt of many jokes and the maker of the rest, Rogo will be in charge of the weekly Discovery Newsletter. Each week, he’ll scour MM for the best of the best and broadcast his finds to all MM Newsletter Subscribers! He’s also the founder of the MM Sponsored Podcast “Screentones“(broadcasting live every Tuesday at 3pm EST) and also draws the featured manga, Gravston. As part of the weekly discovery e-mail, Rogo will be including recommendations from you, the readers, so please e-mail him at james@mangamagazine(dot) net, with member’s comics you feel deserve a little more love.
Takeshi
Silent as a grave, but don’t let that fool you. Takeshi is always drawing, always thinking, and always watching. As such, he’s officially MM’s talent scout! It’s his job to make sure the best comics get noticed. He’s also a member of the MM Sponsored Podcast “Screentones“(broadcasting live every Tuesday at 3pm EST) and also draws the featured manga, Okamirai.
A Quick Shout-out to our Development Team!
Though they’re invisible 99.9999% of the time, our development team is part of what makes MM possible! A big thanks to Evgeny, Juthamat, Kamphol, Keeradit, Pasavon, Numpon, Saran, and Teeradaj for being awesome!

 

Got feedback? Contact any of the MM staff listed above! We’re friendly, I promise!

 

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ashikai

About ashikai

Ashikai is a Community Manager for MM.net, Co-founder of the resource group Manga-Apps, and artist for the original series, Shamrock. Interested in contributing to the blog? have feedback or comments about MM.net? Send her an email!

Folklore influences in Badirfilay

I’ve always felt fascination for themes related to death and the dark side of people and things. I’m not an emo, goth or anything related. I think it’s something more like anthropological/psychological curiosity. That’s probably because I used to talk about death in my stories.

Well, Badirfilay is about this, actually, and more than death itself, it’s the feeling it brings to the ones who are left behind; the ones alive.

Death can have many faces but I’ve based my story on some legends and a compilation of stories I’ve been hearing and reading all my life. Folk stories of different countries and cultures, small stories, religious stuff and even personal things. I don’t think there’s an unique vision about that theme… Death and mystery can be treated from many different views. Every religion has its own way to explain what happens once we die. I have my own opinion about this, but I didn’t want to put my beliefs here. I thought doing Badirfilay and focusing on death in Badirfilay as an eclectic thing, would be more interesting.

It’s still quite early to talk about this because you’ve seen just a peek of it in the story.

At the point, some myths appeared already:

Banshees: A very interesting character in Celtic folk stories.

Greek Mythology, Kharon, the river Styx, and Sirens: Not the beautiful, friendly mermaids fairy tales have sold to us. No, the real mermaids as they are: creepy, dangerous, and probably not so beautiful, but enchanting in fact.

Genies of the 72 hours after Death: The belief that people “can be resurrected within those 72 hours”. It was a legend I heard when I was a child that impressed me so much especially because I heard it in a very sad moment of my life. That story is the basis of Badirfilay. I’ll talk about this later, when this shows clearer in the story.

Edgar Allan Poe: His obsession for young beauty perishing. Young ladies dying. A very common theme used in Badirfilay too.

Post Mortem Photography: A FASCINATING thing I discovered many years ago. The most beautiful and sad way to retain the memory of a dead beloved. Now seen as a creepy bizarre thing, but in those times, it was almost the only way to keep a visual tangible memory of those who died. Beautiful. In my story, they are used by the Docs to receive the information about clients to be revived.

As I said, you’ll be seeing many things related to those mysterious subjects. Some will be very well known by you (like vampires, for example) and some other are very anecdotal. But everything will be used to give the story that darkness it requires. It’s funny, for me, it is. Lots of work to put together and make them fit, actually, but I think it will be very interesting.I hope you’ll think the same. Thanks for reading!

 

Staff note: Badirfilay’s latest chapter has our hero Valdemar meet a mythical three-headed dog! Go check it out if you haven’t already.

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About Ninona

Hello! I'm a freelance illustrator and comic artist from Barcelona who enjoys (needs) coffee. My current comic is the steampunk inspired Badirfilay.

Window Painting on Holidays

While most folks put up Christmas lights and trees, a member of our website has a creative way of embracing the holiday rush: painting holiday motifs on glass windows.

Deb~or~ahh explains that this hobby of hers is turning into a profitable side project. For a couple of bucks, she turns a clear and barren glass window into a vibrant facade of bright red ribbons, cotton-white snow, the ever- omnipresent mistletoe, and gold still bells that go ding-a-ling-a-ling in your mind.

On seeing her creations, one could easily close their eyes, and feel Santa coming his way with his entourage of reindeers. Her postcard-like creations are made from nothing extraordinary—latex house paint for base layers and acrylic paint for colored and indoor projects. Window painting is a unique way to decorate your windows and a good way to earn some money, too!

If you want to know more details read Deb~or~ahh’s blog post on the website.

 

 

 

 

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Favourite Storytelling Techniques in Comics

In reading comics, I’m not really conscious with the techniques on how they are portrayed, or the subtleties they possessed. Rather, they manifest in my mind retroactively, which, I must say, a shame. As long as a comic has good story, good characterization good art, I’d read it.

But there are just some things I won’t pass up. Techniques or styles in storytelling that make my heart go doki-doki ( Japanese onomatopoeia for heartbeat) with awe and admiration. Some of these are the following:

(Caveat: I may confuse technique with style, and vice versa, and rather concern more with narrative than anything, so this may apply to other forms of narrative medium as well.)

1. Cliffhanger. I have a love-hate relationship with cliffhangers. On the one hand, it is a great way to keep your readers at the edge of their seats, begging for more. On the other hand, HJASDHVIGUIVCNSICFOSIKMDSAIJSAFIKOJJNMOREMOREMOREICAN’TWAITFORTHENEXTCHAPTERGIVEITNOW.

Not the best example, but it’ll do.

2. Point-of-View. In a visual medium, employing multiple points-of-view is common, for a wider breadth of narration. But a clever timing of shifting a point-of-view helps greatly in moments of suspense, or when holding back information for future dramatic reveal. Or, you know. Cliffhangers.

From Yvette’s heart-stopping (!!) situation suddenly shifting to a mundane scene with Dimitri. :3

3. Panelling. There is an art to panelling. Done right, you can utilize panels in creating nuances. Take this, for example. A large panel means emphasis, means something significant. Aside from Hiromu Arakawa’s brilliant wording in the dialogue, placing Selim in close-up in a large panel indicates that he is significant to warrant such attention and to provide subtle foreshadowing.

4. Tones that complement the atmosphere. If a comic has a light-hearted story, then it would do well to give it tones and shades of grey (no, not that shades of grey ಠ_ಠ), or bright colors if we’re talking about comics printed in, well, color If a comic has a dark story, then blacks and/or dark tones/colors would fit the mood. It’s about mise en scène. DOGS: Bullets and Carnage is a fine example of a comic that makes use of more blacks and fewer tones and minimalism to give off a film-noir-like impression.

5. Trope Deconstruction. Ahahaha haha ha. *dies*

 

In conclusion: I try to apply such techniques in my own comics. But alas.

 

P.S. Some of you are already aware of my utter loathing towards (using!) shoujo bubbles. Haha. Well, there are two exceptions: 1) if they’re used sparingly; and most especially 2) if they’re used for the lulz.

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About archiloquy

Part-time student, full-time worker, all-time procrastinator. Draws comics in her free time, and some other things. Author and artist of Quickening and Skiagraphia.

Victor answers your questions: How do I get promoted to featured/premium?

A lot of users ask us “How do you decide on who to promote to featured and premium?”, so I thought I would take a moment to explain to the best of my ability what we look for during our promotion process.

Our process:

All authors must begin at our site by creating an account and climbing up from member to featured, and then premium. Each step tests and confirms whether an author is suited for our site. It also gives our team the data necessary to determine how well our community and outside readers are engaging with a series.

Featured: To become featured, we are looking if you have done the basics towards proving you are taking your work seriously.

  • We look for a minimum of 30 pages of content already on our site.
  • Regular updates to your series.
  • Maturity and commitment towards engaging with users. Too many series upload pages, stay quiet, and then disappear forever.
  • A unique story and/or style that set you apart from your fellow authors and shows your originality and talent.
  • External validation of your work and progress so far: Twitter followers, Deviantart views, Smackjeeves followers, Competition results, Blogger mentions, etc.

Premium: To become premium, we are now looking into the details of how you have been doing on our site and how well you are engaging existing users, attracting new readers, and showing consistency. The numbers in most cases speak for themselves at this point.

  • Visibility in our traffic data of reader adoption both of existing site users and new users.
  • Consistency in publishing the same top quality content that caught our attention in the first place.
  • Consistency in engaging users through our site in sincere and interesting ways as well as other social media channels.

Some tips:

  1. Don’t spam! : Authors who put in the effort to engage and attract readers from outside our site have been the most successful. Going around asking every single new user on MangaMagazine to check out your series is annoying to users at best and from everything we have seen, a waste of your time. Constantly bugging people one at a time to read your series is simply annoying and is a negative sign for us when considering a series for promotion.
  2. Help yourself get noticed: Don’t just focus on MangaMagazine. We will help promote your series but this doesn’t mean you should not put in your own effort to stay in touch with your readers. In today’s digital age, you cannot just lock yourself up in your studio and draw. Readers want to feel like you are accessible, friendly, and care about what they think. This can only be done by consistently engaging readers through your own social presence such as Facebook, Twitter, Deviantart, Tumblr and so on.
  3. Be authentic and do what you enjoy: There is no one “right” way to build a fan base. Readers can tell whether you are enjoying what you are doing. Engage in the way you enjoy the most. This could be by posting illustrations that you draw in your free time or getting on the forums and starting discussions about what should happen next in your story.

I hope this lifts the curtain a little bit on our process. It is by no means a perfect science, but we try our best to be as objective and fair as we can.

If you have any thoughts, feel free to leave a comment below, or you can reach me through my profile: http://www.mangamagazine.net/authors-and-artists/Victor/detail-page/34

Your feedback is what helps us make this site better so don’t hold back!

Victor

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About Victor

Co-Founder of MangaMagazine.net Permanent site stalker :)

Stylized Team Fortress 2 Inspired Art

Wastelands author Gemma Sheldrake (Petitecreme) recently did these stylized interpretations of Team Fortress 2′s video game character classes. If you play the game don’t forget to comment on which items below caught your eye!

You can check out more of Petitecreme’s work on MangaMagazine and tumblr.

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Artist Tip: Protecting Yourself with Content Rating System (joke)

How will you defend yourself if your comic causes the death of anyone who reads it?

*This is meant as a joke post and should not be taken for legal advice!

If your comic ever caused the death of anyone who reads it, just make sure you have a warning on it or a label from the Content Rating System (CRS). This warning protects you from getting in trouble!

Always put “Warning: The content of the comic has caused unknown deaths, you have been warned”

Putting a CRS warning has the same effect as saying “I warned you and now you have to pay the consequences”. A related example could be a cigarette advertisement. Usually in every cigarette ad, you always see a warning that it is harmful to your health. But have you ever wondered why people who already knew that smoking is harmful to their health still smoke? In the end they end up having lung cancer and the cigarette manufacturing company continues to make big profits, ironic isn’t it?
Once you warn somebody, it is their decision to whether or not they will take the risk. I assure you, you won’t get in trouble if you have CRS.
What is CRS?

Content Rating System is used on TV Broadcast, movies, comic books or computer games. It is like a warning sign. As long as your comic has this rating system warning on it, if someone suddenly spontaneously explode and die because of the comic you are safe because you already warned them in the first place.

Did you do the right thing by just warning people?

This is a very philosophical question and it’s pretty hard to explain; if you think about it, to know someone really died on reading your work, would you really feel bad inside? Carrying the burden? Would it be ethical? It’s hard to move on once you knew the bad news. But you did warn them, from the beginning, so just go look for another new reader! After all, it is the internet and there are many more where they came from!

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About Arme-chan

The name is Arme-chan, the author and artist of Knife Brigade and I'm an artist that has an inferiority complex so bare with me okay.. A.K.A I'm theannoyingfruitloop

Join the MangaMagazine team: Community Intern

Hey everybody,

Have you ever wondered how it is like working at a technology startup? Do you want to get involved early in a company to make a difference and help it grow? Well, we are looking for a community intern to join our community team! Below are the details of the position we are looking to fill as soon as possible:

Job Description:

We are seeking one energetic, organized and dedicated community intern who will assist our community team with maintaining our presence on the site. You will help come up with exciting community activities, participate in community dialogue, and gather feedback from users about improvements the technical team can make to the site.

Primary Responsibilities:

  • Manage community activities: Help come up with and run exciting community activities that allow for readers to better interact with authors.
  • Participate in community dialogue: Help serve as first point of contact and active participant in community to answer any questions or resolve any confusion.
  • Gather feedback: Listen to feedback by users to help our technical team prioritize which features should be worked on.
  • Contribute to blog and user communications: Assist and contribute to official site blog as well as other user communications.

This is wonderful opportunity for an individuals who wishes to work in a fast-paced, semi-chaotic startup environment and gain work experience—and possibly a full-time job (however, it should be noted, that this is based primarily on the candidates’ and company’s performance).

Qualifications:

  • Bachelors degree or equivalent (Marketing or communications degree is a plus): College junior and seniors accepted.
  • Relevant work and/or internship experience is a plus
  • Creative problem-solver
  • A start-up attitude—a go-getter who figures out how to get the task done with minimal resources and support
  • Strong communication skills (both written and verbal)
  • Graphics design experience is a plus

Additional Information:

  • This is a virtual position and you will work from home.
  • Please send a resume AND cover letter (which should include: GPA, motivation for applying, compensation expectations, and availability) to victor <at> mangamagazine.net. Please title the subject “Community intern job application”
  • Review of applications will continue until the position is filled
  • We truly appreciate your interest in this position and look forward to receiving your application!

Victor

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About Victor

Co-Founder of MangaMagazine.net Permanent site stalker :)

8 Halloween Illustrations

Hi everyone! Hope you all had a fun time trick or treating. Here’s some Halloween inspired illustrations from MangaMagazine

Thanks for reading!

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Manga-making Inspiration: Vampires, Death, and Immortality

holidays

The Fear of the Great Unknown: Vampires, Death, and Immortality

An Affliction Born from Pestilence and Despair…

 

What’s so Interesting About Vampires Anyway?

Hello, everyone! LOOM here. I’m the creator of Vampire Fetish in the Premium section of MangaMagazine.net. Let’s cut straight to the point! I get a lot of questions about vampires. What attraction could I possibly find in this tired old genre? Why do vampires resurface in our culture again and again, wearing new faces and hypnotizing audiences anew?

I’m a big lover of culture, mythology, and history. One day, the natural curiosity took over and I began to pore over folklore. I wasn’t just interested in vampires, but all creatures of the undead and all creatures that supposedly prey on human beings. I wanted to look not just for stories from Northeastern and Southeastern Europe, but to find all sorts of cultural accounts from all sorts of places. Revenants, vrykolakas, strigoi, you name it. Blood-sucking spirits go back as far as Mesopotamia. I find this interesting. It says something about how people fear death and darkness. It actually wasn’t until I took to history books and anthropological manifestos that I began to appreciate just how much our never-ending dance with the idea of vampires is tied up with our views of life and death itself.

looming eddy

What IS it about vampires? They just won’t go away! Share your own thoughts in the comments!

 

When Fear Breeds Imagination: The Roots of the Modern Vampire

The underlying basis of tales of the dead rising up from the grave is the great fear of the unknown. People inherently fear death. This is why notions of the undead and fantasies of immortality have remained with us in our myths and stories for so many centuries. One of our oldest known stories, The Epic of Gilgamesh, features a king called Gilgamesh who, after losing his best friend Enkidu, seeks out a way to become immortal. Fear of death and fascination with immortality have been with us since our very earliest stories.

Vampires in their rawest forms originate from a very basic human emotion: fear. Fear controls us, enthralls us, limits us, and expands our imaginations. When we strip away the shiny facade of Hollywood and dig deep beneath the surface, we travel back in time to a place where we find ordinary circumstances paired with extraordinary fears. These fears spurred the myth of the vampire, a creature who crawls from the grave to hunt in the dead of night, taking the lives of loved ones and innocent passersby.

The mere notion of the creature rendered small villages frozen in fear and left them prone to hysteria. Disease was a common culprit. The spread of death due to contagion took a heavy toll on small, isolated villages. Contamination devastated families and at times truly made it seem as if the deceased were reaching back to claim their living family members one by one. Today, we may not always appreciate the paralyzing terror of disease outbreak, but I have a feeling if a serious outbreak were to occur worldwide, we would all remember quickly.

Plague Rats

In times of commonplace plague, our fears were much more poignant than they are in today’s world. Do you think we take modern medical advancements for granted?

 

Fending Off the Fiend: Vampire Repellent & Killing Techniques

Over time, a variety of interesting tactics were contrived to combat these creatures of the undead. Villagers would dig up bodies and stake them with sharp materials shaped from pure, sweet-smelling wood or plant materials. These materials might have included the sharp thorns of the hawthorn branch or the strong wood of the ash tree. Strong-smelling substances like garlic were favored to “keep away the undead.” The reason for this is obvious: strong smelling substances combat the foul odor of death and decay.

When bodies were suspected of vampirism, they were dug up and inspected for signs of it: suppleness, robustness, swelling, and a dark black or red tinge to the skin. If deemed a vampire, the body would be staked, but the body-red, swollen, and rotting with gaseous decay-would often shriek when pierced. Although the sound may have been a natural phenomenon caused by the release of gases and fluids, it must have been indescribably terrifying for the poor blokes carrying out the deed.

loom-stake

Stakes are a classic weapon used against vampires. Originally, stakes and sharp thorns were thought to “bind” a vampire to his grave and prevent him from walking at night.

 

Now and Then: What Vampires Mean to Us

When we read very old accounts from the sixteenth century and earlier, we’re struck by how silly some of these “vampire accounts” sound to modern ears. But it bears remembering that times have changed. Fears have changed. We now know so much more than our friends and families did long ago.

That’s not to say that many of the old notions aren’t outlandish. It can at times be tempting to imagine these outrageous claims as real. For example, many vampires in older tales are defeated by being occupied with mundane tasks, like counting rice grains or untying knots.

In the case of the German Nachzehrer,the creature’s hands are decayed and look eaten away, so according to the folk tale, he must have gnawed off his hands while he slept in the grave. In Norway, some inhabitants thought, “There is noise pelting the roof outside my home, so the vampire must be stomping on it. ” Quite a scapegoat, that old vampire! One can see that, if judging the vampire alone, he may at times seem horrifying, but he may also at times seem to be suffering from a bad case of obsessive-compulsive disorder!

For me, it was this point I seized upon for writing. It’s not a far jump to attribute the behaviors of folkloric vampires and related creatures of the undead to manias. What if, I thought. What if the trauma of death twisted these beings so much that they developed strange ticks? That leaves a lot of room for comedy and horror. They become at once pitiable and more formidable, desperate to reach whatever goals they fixate upon. Have you ever tried to talk to someone who is truly insane? You don’t easily get through to them like you do in the movies. There is something unsettling and heartbreaking about that.

Counting

Vampires can be distracted by mundane tasks…like counting. Does it make anyone think of The Count from Sesame Street? I wonder if the creator of that meant it as a pun on The Count’s title of nobility or an allusion to traditional vampires? What do you think? Share your thoughts with me!

 

This Won’t Cover Even a Fraction of What’s Out There on Vampires…

I hope you enjoyed this small sampling of vampire mythology. The myths and legends are loads of fun to dive into, but be wary of the many entanglements and contradictions you will inevitably find. There are literally hundreds upon thousands of versions of the undead, swirling around and around and crossing over with witches, werewolves, and ghosts. And of course, depending on the context, country, and time period, the very fears that birthed vampire legends change over time, and these fears morph into new monsters with new faces and new identities. The modern vampire has expanded to encompass not only fear, but also the grotesque, the exciting, the sexual, and the forbidden. He has even been humanized in many stories.

That’s all I have for today. I hope you’ll come visit me sometime! I do love to chat. Happy Halloween, Have a Safe Bonfire Night, and most of all, Happy Comicking! May you reach for the stars and find inspiration in even the smallest moments!

All my love,
LOOM

Grouppic

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About LOOM

LOOM is an independent comic creator and lover of all things comics. She writes and draws the YA Urban Fantasy comic Vampire Fetish here at MangaMagazine.net and assists in running the club Manga-Apps.